This post highlights another photo shoot in Bagan, Myanmar, with the international award-winning photographer Maung Maung Bagan. (The first photo shoot is described at Bagan Photo Shoot 1: I need a map.)
This is a temple we visited in the late afternoon. It was locked, but Maung Maung had arranged for a “key man” to let us in for about $4 US. He had also arranged for the novice Buddhist monk to be our model for another $4.
We know that there must be particles in the air to capture sun rays in photos. In the West, either a smoke machine or a can of spray smoke is used to illuminate the sunbeams. These normally come with strict warnings about allergies, safety, etc. Gavin Hoey, one of our favorite presenters on YouTube, carefully describes these warnings each time smoke is used. Maung Maung brought small bundles of some kind of dried grass, tossed them in the window behind the little monk, and lit them. The smoke was both photographically effective and choking. After the shoot, we stood in the window where the monk is seen in the photo. We had difficulty breathing and our eyes watered. Only then did we realize what we had just put the little novitiate through.
This photo was taken on February 8, 2017. Specs are:
Canon SL1, ISO 1600, f/7.1, 1/80 sec, focal length 18 mm
Our travels often take us to countries with developing tourist infrastructures. There are few days when our guide fails to give us a tour in “a very special shop.” We generally see things we don’t need and really don’t want to carry for the next few weeks but we try to buy interesting things as long as they are small, light, and difficult to break.
One place we actually wanted to shop is Hội An in Vietnam. Even if you haven’t heard of it, if you are in Vietnam and have a couple extra days, you want to go there. You can have bespoke shoes, clothing, and purses of high quality made overnight and delivered to your hotel.
One of the shops our guide took us to made incense and burners. We found the little carved dragon incense burner there (we checked the bottom to make sure it wasn’t simply imported from China) and small boxes of agarwood incense cones we saw being made on site.
Once we got home, the dragon sat on a table along with similar items from other trips. We thought we’d never use it until we decided to try smoke photography as an experiment for a photo class we have been taking.
We placed the dragon in front of a sheet of black velvet we use as a small backdrop and ignited the incense. A speedlight was placed parallel to the backdrop and a tube (i.e., a snoot) was used to send the flash through the smoke without spilling onto the backdrop. The smoke rose in a smooth column for about six inches and then began to twist and turn in wild patterns as the column cooled and reacted to small air currents in the room. The photos below show the results. The color was created by setting the camera’s color correction to tungsten.